Kitty in the Lane (2023)

an eye-catching set designed by Constance Comparot which is stunningly brought to life in conjunction with wonderful dynamic lighting that allows this decaying country home to easily morph into vivid vignettes from Kitty’s life. The lighting, designed by Alex Forey, deserves calling out twice. I was excited as each scene progressed just to see how it would shift next; transforming Kitty’s home into a pub then a nightclub, a lonely country road illuminated by a car’s headlights then a misty morning hilltop, all executed flawlessly in cooperation with impeccable, haunting sound design from Florence Hand London Pub Theatres
The mood is greatly aided by some superb lighting design by Alex Forey LondonTheatre1
Constance Comparot’s set and Alex Forey’s lighting change the atmosphere from stark to mystical and dreamlike effortlessly with Jack Reardon’s assured direction Fairy Powered Productions'

Hildegard von Bingen (2023)

Lighting and sound is expertly mastered by Alex Forey and Florence Hand throughout the performance, in a way that gives light a voice, and gives sound a visual experience. The Reviews Hub
Alex Forey’s lighting and Florence Hand’s sound combine to highly atmospheric effect, particularly in characterising Hildegard’s visions, at once something otherworldly yet viscerally terrifying as a seizure too There Ought To Be Clowns
Gorgeous lighting and creative sound. The lighting is absolutely stunning. Broadway World
Hildegard Von Bingen is certainly ambitious, with exemplary sound and lighting design (by Florence Hand and Alex Forey). LouReviews

Paddy Goes To Petra (2022)

Alex Forey sensitively lights all of this, further enhancing the changing moods Broadway Baby

Polyeucte (2018)

strikingly lit by Alex Forey — Yehuda Shapiro, Opera

Grey Matter (2016)

some of the most imaginative and impressive lighting I have seen at the Fringe — EdFringeReview